Violent Night Graded with DaVinci Resolve Studio
Fremont, CA – December 21, 2022 – With any holiday season, we’ve come to expect variations
Fremont, CA – December 21, 2022 – With any holiday season, we’ve come to expect variations
Fremont, CA – November 30, 2022 – Produced by BoulderLight Pictures, “Barbarian” tells the story
Fremont, CA – October 27, 2022 – Blackmagic Design today announced that the sci fi horror
The new iPad Pro features a next-level Apple Pencil hover experience, ProRes video capture, superfast
Fremont, CA – July 27, 2022 – Blackmagic Design today announced that DaVinci Resolve Studio editing,
Fremont, CA – May 17, 2022 – Blackmagic Design today announced that live action production and
Assimilate today announced that its innovative Live Looks, Live Assist, and Live FX software solutions
Fremont, CA – February 24, 2022 – Blackmagic Design today announced that the horror film “Alone
Fremont, CA – August 12, 2021 – Blackmagic Design today announced that Tones and I’s new
In his first project for the Santa Monica post-production facility, colorist J.R. Benson applies the
SCRATCH and Play Pro ship with an integrated Light Illusion plugin, so you can calibrate
BackgroundWhile Mark was working with Mun Yik Leong as his Senior Colorist in South East
Fremont, CA – April 22, 2021 – Blackmagic Design announced today that the Academy Award nominated
Fremont, CA – February 12, 2021 – Blackmagic Design today announced that “Soorarai Pottru,” a new Indian
Live Grading and Dailies Transcoding Combine for a Tightly Integrated and Seamless Workflow February 10,
In this online session, Leandro Marini of Imperial Creative will go over the problems of
ProRes RAW is an ideal format for creating wide-gamut, high-dynamic range (HDR) content because it
Beyond Color. The Revolution of Finishing. Online Session hosted by Mazze AderholdWednesday, September 16th10am Los
Join us for our next online session about remote on-set production in a new era.
Hello everyone, With the rapidly changing landscape of movie production and fewer people on-set, we