Kool & The Gang Celebrates Good Times with DPA Microphones
FOH Ed Irons Relies on DPA to Capture the Band’s Renowned Instrumentals NEW YORK, FEBRUARY
FOH Ed Irons Relies on DPA to Capture the Band’s Renowned Instrumentals NEW YORK, FEBRUARY
Fellow Surfer Paul Grundman Engineers “Cry Me An Ocean” Champion surfer and accomplished musician Makua
Accuracy without colour that isn’t fatiguing – that, says Sound Designer Matt McCamley, is exactly
DPA Microphones Delivers Magical Results For Unprecedented Event’s Live Orchestral Accompaniment SANFORD, NC, FEBRUARY 13,
Composer and producer Steve Kilpatrick has made an AMS Neve 8816 16-channel summing mixer a
Thirteen-Time GRAMMY® and Latin GRAMMY® Winner Selects Company’s Intuitive Plug-ins for Superior Audio and Control
Q: What’s your current role and what does it involve? A: I’m a freelance audio
Complete product design kit for Dante AV will soon be available to manufacturers PORTLAND, Ore.,
Metering, Upmixing and Loudness Capabilities Provide Exceptionality and Reliability to Keep Audiences Sonically Engaged Across
DPA Microphones’ 4061 Lavalier, 4066 Headset and 4099 Instrument Mics Deliver Clarity, Transparency and Size
Brio 12 Compact Digital Audio Broadcast Console Provides Quality, Smooth Integration and Cost-Effective Solution for
PMC is delighted to announce that Travis Schuster has joined the company as a Field
German producer Felix Klostermann is delighted with his switch to PMC studio monitoring, stating that
When Cross Roads Escape Games in Anaheim, California introduced its “Psych Ward” game last year
AMS Neve and Westlake Pro have partnered to create the first AMS Neve Showroom in
LIPA, the Liverpool Institute for Performing Arts that was founded in 1995 by lead patron
PMC’s founder and CEO Peter Thomas has been awarded a Fellowship by the Institute of
Clarity, ease of use and the ability to match the colour of the microphone to
AMS Neve is showcasing its new and exciting Neve GenesysControl plugin at NAMM 2020, where
Nanna-Karina Schleimann has become one of the first sound designers to make use of DPA’s